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Although The Marriage of Figaro is a sequal to
The Barber of Seville, each play is independent of the other.
In The Barber of Seville, Figaro helps Count Almaviva win Rosina from the ugly, miserly
Bartolo. In The Marriage of Figaro we see the same group several years later. Figaro is about
to marry Suzanna, another servant in the Count's household. But the Count has tired of Rosina, and he
has his eyes on Suzanna. As part of the plot the mystery of Figaro's birth is unraveled. Secret
late-night rendezvous in the garden help to pair off all the lovers for a joyous and hilarious ending.
What chance did a servant in 18th century Europe have against a powerful nobleman? This satirical
comedy provides an answer.
Figaro, perhaps the most famous rogue in all of literature, says that he steals because he
was born a poor man. Since he is a servant instead of a nobleman, he contends, he
has to use more intelligence and ability merely to stay alive than rulers use to govern their
provinces. King Louis XVI of France was afraid that such talk on the stage would inflame the embers
of rebellion which were smoldering all around him, and he tried to suppress The Marriage of
Figaro. It took Beaumarchais six years to overcome the king's opposition, and the play finally
reached the Paris stage in 1784. Only five years later French peasants stormed the Bastille. As Louis
lay his head on the guillotine, he had every right to say, "I told you so." However, while rebels are
remembered for their opposition to monarchy, Beaumarchais (whose real name was Pierre Augustin Caron)
became famous as the author of two of the world's funniest comedies, The Barber of Seville
and The Marriage of Figaro. Like many famous playscripts, these were later made into operas,
by Rossini and Mozart.
This play can be impressively staged by university, community, or high school groups.
Superb for contests and festivals. (This is not a musical; Mozart's opera was adapted from this play.)
Costumes and staging may be elaborate or fairly simple. A Director's Script (prompt book) is available
from the publisher. It contains drawings of costumes and set, details on all technical aspects of
staging, discussion of characterization, plot, and theme. It also suggests the complete blocking and
full stage directions for all movement and business.
Other Clark adaptations: As You Like It,
Cain: a Mystery, Cyrano de Bergerac, Doctor in
Spite of Himself, Gondoliers, Importance
of Being Earnest, Macbeth, The Pot Boiler,
School for Husbands, She Stoops to Conquer
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