Sequoyah was crippled, and the other boys in his Cherokee tribe jeered and laughed when he tried to participate in their games and rituals of manhood. So while they romped and played and fought and hunted, young Sequoyah carved things from wood and stone. When he took his figurines to the trading post, he was amazed to see that the white settlers were getting messages from strange marks on sheets of paper—"talking leaves," Sequoyah called them. He made up his mind that he would invent marks for his own language so that his people could also communicate through talking leaves. His fanatical devotion to his project caused his peers to accuse him of witchcraft. They shunned him and burned his cabin, destroying all his work. His wife left him. His only ally was his daughter, Ah-Yoka. With her help and encouragement, he completed his work and demonstrated it to the skeptical tribal council. Today Sequoyah is recognized as a great scholar; the giant redwoods and Sequoia National Park in California are named for him.

Talking Leaves enables your theatre to bring a remarkable American to life on your stage. The story of Sequoyah's struggle against adversity is faithfully and stirringly represented in DuMont Howard's book and lyrics. Carl Danielson's memorable score is both gripping and lyrical.

Non-profit theatre groups seeking funding are often asked to demonstrate that they have a multi-ethnic focus. Production of Talking Leaves fits that requirement. To maintain historical and cultural accuracy, the author had the aid of a Native American studies program expert. Although originally produced by a children's theatre (The Lilliput Players) touring to San Francisco area kindergartens and elementary schools, Talking Leaves appeals to adults as well as children. Its 10 scenes may be mounted in a unit set without change of scenery. The original cast had five performers who doubled in several roles. However, many more performers may be used, including children who may be recruited from the audience.

One act in 10 scenes; Unit set; Period costumes from 1786 to 1839, authentic or symbolic.

Also by Howard: Sherlock Holmes' Lady Dither's Ghost

Other plays with Native American content: A*B*C*, Bird Boy, Don Coyote, First on the Rope, Song of Hiawatha